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Friday, 15 November 2013

Has anyone seen The Revolution will be Televised

It is basically a mock campaigning programme but I watched it last night and it had some good tactics - the presenters are quite over the top so it might just work - generally I find candid camera the shows a bit fingernails on chalkboards because they seem to take things too far… What do you think about the tactics and the concept of the show?
http://www.bbc.co.uk/programmes/p00vqgx3

Monday, 11 November 2013

Module 2 forms

Module 2 forms are up on the MyLearning (Moodle) site - as are the Readers for WBS3630. The news and the calendar have reminders about dates and events. ``you can also add a discussion. A FB SIG discussion prompted me to blog.

I will also email the Forms to those on the Module.

The plan or proposal has set headings found in the handbook. Starting with a working title. The title is sometimes like your major inquiry question but put as a statement. It tells others using key word what you are looking into for you inquiry.

More later! A view from the train then I ended up leaving for the tube!


- Posted using BlogPress from my iPhone

A story about the power of YouTube

http://www.bbc.co.uk/news/business-24801980

Jamal Edwards: Amateur film-maker turned multimillionaire



Saturday, 9 November 2013

The pantomime season is upon us!

Many of our BAPP Arts network find work over the holidays doing Pantomime. So I took the time to Google the topic and see what might be interesting as a line of inquiry.

 maybe not the most reliable sources - look for key words and continue to explore sources…

A history and explanation -http://aj2008.squidoo.com/pantomime

The getting paid side of things?
http://www.tmauk.org/ratesofpay/default.aspx

Popularity in the economic downturn.
http://www.theguardian.com/stage/2012/dec/07/panto-booms-in-austerity-aladdin
http://news.bbc.co.uk/1/hi/programmes/working_lunch/3327277.stm

audition tips
http://www.actorhub.co.uk/315/pantomime-audition-tips

Writing a pantomime
http://news.bbc.co.uk/dna/place-lancashire/plain/A2497737

Equity - more advice
http://www.equity.org.uk/campaigns/low-pay-no-pay/

Next year
http://www.artsjobs.org.uk/arts-job/post/expression-of-interest-for-2014-pantomime/

Could not find what I was looking for for health and safety - what about you? Put in comments!

a plug for appreciative inquiry

http://www.youtube.com/watch?v=3JDfr6KGV-k link to Cooperrider talking about his process and leading organisational change.

A theatre visit - 'Coward' at the White Bear Theatre

Last week I was able to attend 'Coward' from the Just Some Theatre Company written by one of tutors in the Media Department, James Martin Charlton http://whitebeartheatre.co.uk/event/details/coward/. The White Bear Theatre is a smaller theatre very near Kennington tube known for introducing theatre productions or in their own promotional words…

"The White Bear Theatre is an award-winning, off-West End venue, only 2 minutes walk from Kennington Underground and just 4 stops from Leicester Square (on the Northern Line)."

The plays runs until tomorrow (there is still a chance to go on the 10th) but will hopefully have a life beyond this venue or a return to the White Bear Theatre in future.

Produced by Just Some Theatre Company.
Directed by Terence Mann.
Written by James Martin Charlton.

Actors - in order of appearance 
Peter Stone - Cole
Jake Urry - Noël
Josh Taylor - Leonard Marlowe

Four of us went including Wendy who is an experienced London theatre goer. The play set out an episode in a fictionalised about Noël Coward, his 'personal assistant' butler like aide named Cole (who was also a Leonard but could not call himself so) and Leonard a young actor who must submit to Cowards demands for intimacy to climb the ladder of success in 1930's theatre. 

The play was well executed for the four of us by the three young actors. We all felt that the repartee, especially in the earlier part of the play, was written well and quite funny. The review from Wicker at Timeout (2013) describes the play as a "chamber piece" and there is the feeling that the play is one of harmony and disharmony between the players. We felt that Noël character had some very good lines that could have been given a bit more time to resonate as they did much to show the ebullient nature of Coward at his height of power in the 30's; in other words we knew the Coward character was a bit overwhelming but as an audience we appreciate well written innuendo and a bit of a laugh. McGillivray (20013) suggests that is because the historical links to Coward's real life have been changed, however we as an audience were aware that this was a fictionalised account of Coward's character so that point is up to the author. The point of seeing such a legendary character as a younger self was embedded into the plot. However it is interesting to think about these connections in terms of the play's themes. Power was a theme that came out in the play as the complexities of the plot emerged, and the three main characters rounded their fresh beginnings with an intense stare into the reality of the social divides of 1930's England and the upcoming european conflict of WWII. 

The only set prop I would have changed? I would have put more bubbles in the champaign (sparkling water of course)! This was because the set came right up to the audience and we became quite involved in the objects that showcased the 1930's time period - the dressing table, typewriter, phone, radio, cigarettes (theatrical ones) and the back wall which changed shape with the scene changes. However, another point on which McGillivray (2013) does not agree about the way some of the props were integrated into the scenes. Less is more on a small set, we thought the props worked to set the scene.

I bought the small booklet with the words of the play, wonderful when you can do this. As a stage enthusiast, it is interesting to compare the words to the performance onstage. 

Here is a few reviews:

Wicker, Tom (2013) Timeout, online, Available from: http://www.timeout.com/london/theatre/coward


BWWW Newsdesk (2013) Broadwayworld, online. Available from: http://www.broadwayworld.com/westend/article/Terrence-Mann-to-Direct-Just-Some-Theatres-COWARD-at-White-Bear-Theatre-Oct-22-Nov-10-20131021

McGillivray, David (2013) Gay Times, online. Available from: http://www.gaytimes.co.uk/Interact/Blogs-articleid-9865-sectionid-762.html

The Public Review (20013) blog post, online. Available from: http://www.thepublicreviews.com/coward-white-bear-theatre-london/

Music lesson article about boosting children's ability

http://www.bbc.co.uk/news/health-24802433