Jodie mentioned a mood board for Chrysalis London - I was googling colour and found this http://www.bbc.co.uk/homes/design/colour_moodboard.shtml
would it be different for planning a dance production?
so I googled (online web research) about mood boards
Check out the following on key words moode board dance production
and add to the list in the comments!
PinInterst
http://www.pinterest.com/Kirawolfie773/production-arts-mood-board/
http://www.s2events.co.uk - a production company who sells services
http://www.guisemagazine.com/inspired/mood-boards-visual-communication/
mood board dance production some example in picture
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Wednesday, 5 November 2014
A big thank you to our new Student Reps for BAPP Arts 14-15
Many thanks to Lara Bärle and Danielle Tougher who have both volunteered to be student representative this year.
Lara can be contacted at larabee@hotmail.de ((1 module term to start)
Dani can be contacted on danitougher@hotmail.co.uk (14-15 +)
Chloe Polson-Davies has volunteered for the Chrysalis London group!! (14-15)
Please get in touch with these reps if you do have any questions that you would like to discuss anonymously and then they can collate and bring to us - and report to the Student Board for the university. Everyone has feedback to give directly at the end of module survey (and please send emails before that time) but this procedure is helpful to the whole programme and university.
Lara can be contacted at larabee@hotmail.de ((1 module term to start)
Dani can be contacted on danitougher@hotmail.co.uk (14-15 +)
Chloe Polson-Davies has volunteered for the Chrysalis London group!! (14-15)
Please get in touch with these reps if you do have any questions that you would like to discuss anonymously and then they can collate and bring to us - and report to the Student Board for the university. Everyone has feedback to give directly at the end of module survey (and please send emails before that time) but this procedure is helpful to the whole programme and university.
Tuesday, 4 November 2014
Facebook and politics for the midterms USA
and article about the influence of social media in political decisions http://edition.cnn.com/2014/11/03/tech/social-media/midterm-elections-facebook/index.html?hpt=hp_c1
and a peer reviewed article about participation and social media
http://research.gold.ac.uk/5910/2/Alternative_Media.pdf
Added bit - the Republicans have won both the House and the Senate - the President is a Democrat - so the next 2 years will include partisan politics.
and a peer reviewed article about participation and social media
http://research.gold.ac.uk/5910/2/Alternative_Media.pdf
Added bit - the Republicans have won both the House and the Senate - the President is a Democrat - so the next 2 years will include partisan politics.
Monday, 3 November 2014
More topic areas from the Stage and beyond
Backstage - using digital technology and aps online at the Donmar theatre
National Theatre launches digital programme for Frankenstein screenings
By: Matthew Hemley http://www.thestage.co.uk/news/2014/10/national-theatre-launches-digital-programme-frankenstein-screenings/
could this phenomenon be turned into a topic related to technology or media and communication related to theatre?
OR
Cultural knowledge of the arts - form film to theatre - doesn't it usually go the other way around?
By: Matthew Hemley http://www.thestage.co.uk/news/production/2014/10/bend-like-beckham-musical-open-phoenix-theatre-may/
This programme on radio 2 might discuss the topic
"Much will be made of the fact that Made in Dagenham, November’s big musical theatre opening, is yet another stage adaptation of a movie. "
The Musical
http://www.thestage.co.uk/reviews/review.php/40367/the-musical-img
Production information
BBC Radio 2, October 28, 11pm, then continuing until December 16 Author:Brian SibleyContributors include:Sian Phillips, Stephen Sondheim, Sandy Wilson, Donna McKechnie, Maria Friedman, Ruthie Henshall, Patti LuPoneProducer:Malcolm Prince for Radio 2Running time:1hr
National Theatre launches digital programme for Frankenstein screenings
could this phenomenon be turned into a topic related to technology or media and communication related to theatre?
OR
Cultural knowledge of the arts - form film to theatre - doesn't it usually go the other way around?
Bend It Like Beckham musical to open at the Phoenix Theatre in May
This programme on radio 2 might discuss the topic
"Much will be made of the fact that Made in Dagenham, November’s big musical theatre opening, is yet another stage adaptation of a movie. "
The Musical 
Published Thursday 30 October 2014 at 13:17 by Lisa Martland
http://www.thestage.co.uk/reviews/review.php/40367/the-musical-img
on tomorrow - but BBC has available
http://www.bbc.co.uk/programmes/b00tq117
Drawn from Life
The MusicalEpisode 2 of 8
"The second programme in a special season of documentaries celebrating the most popular and successful form of theatrical entertainment in the world: The Musical.
There are eight documentaries, each presented by a leading name from the world of musical theatre.
There are eight documentaries, each presented by a leading name from the world of musical theatre.
Programme Two: Drawn From Life (Daniel Evans)
It's clearly important for the musical theatre audience to understand the characters on stage and their motivation which is why, as we discovered in last week's programme, the story - or, as it is called in the musical, 'the book' is of vital importance.
It also probably explains why so many musical stories are not original but are borrowed from other sources such as novels, plays and increasingly these days, films.
Always popular with composers are the life-stories of real people. Some of them were already famous before becoming characters in musicals, but many were largely unknown - until becoming the subject of a successful show brought them a unique kind of fame! This documentary considers the musicals that have been 'drawn from life' including: 'Gypsy', 'Evita' and 'The King and I'.
Key contributors include: Hal Prince, Stephen Sondheim, Patti Lupone, Paul Nicholas, Maury Yeston, Elaine Stritch, Maria Friedman, Victor Spinetti, Ruthie Henshall, Tim Rice, Elaine Paige, Richard Stilgoe, Michael Grandage and Liz Robertson.
'Drawn From Life' is written by Brian Sibley and produced for Radio 2 by Malcolm Prince."
It's clearly important for the musical theatre audience to understand the characters on stage and their motivation which is why, as we discovered in last week's programme, the story - or, as it is called in the musical, 'the book' is of vital importance.
It also probably explains why so many musical stories are not original but are borrowed from other sources such as novels, plays and increasingly these days, films.
Always popular with composers are the life-stories of real people. Some of them were already famous before becoming characters in musicals, but many were largely unknown - until becoming the subject of a successful show brought them a unique kind of fame! This documentary considers the musicals that have been 'drawn from life' including: 'Gypsy', 'Evita' and 'The King and I'.
Key contributors include: Hal Prince, Stephen Sondheim, Patti Lupone, Paul Nicholas, Maury Yeston, Elaine Stritch, Maria Friedman, Victor Spinetti, Ruthie Henshall, Tim Rice, Elaine Paige, Richard Stilgoe, Michael Grandage and Liz Robertson.
'Drawn From Life' is written by Brian Sibley and produced for Radio 2 by Malcolm Prince."
presented by a leading name from the world of musical theatre.
Programme Two: Drawn From Life (Daniel Evans)
It's clearly important for the musical theatre audience to understand the characters on stage and their motivation which is why, as we discovered in last week's programme, the story - or, as it is called in the musical, 'the book' is of vital importance.
It also probably explains why so many musical stories are not original but are borrowed from other sources such as novels, plays and increasingly these days, films.
Always popular with composers are the life-stories of real people. Some of them were already famous before becoming characters in musicals, but many were largely unknown - until becoming the subject of a successful show brought them a unique kind of fame! This documentary considers the musicals that have been 'drawn from life' including: 'Gypsy', 'Evita' and 'The King and I'.
Key contributors include: Hal Prince, Stephen Sondheim, Patti Lupone, Paul Nicholas, Maury Yeston, Elaine Stritch, Maria Friedman, Victor Spinetti, Ruthie Henshall, Tim Rice, Elaine Paige, Richard Stilgoe, Michael Grandage and Liz Robertson.
'Drawn From Life' is written by Brian Sibley and produced for Radio 2 by Malcolm Princ
Programme Two: Drawn From Life (Daniel Evans)
It's clearly important for the musical theatre audience to understand the characters on stage and their motivation which is why, as we discovered in last week's programme, the story - or, as it is called in the musical, 'the book' is of vital importance.
It also probably explains why so many musical stories are not original but are borrowed from other sources such as novels, plays and increasingly these days, films.
Always popular with composers are the life-stories of real people. Some of them were already famous before becoming characters in musicals, but many were largely unknown - until becoming the subject of a successful show brought them a unique kind of fame! This documentary considers the musicals that have been 'drawn from life' including: 'Gypsy', 'Evita' and 'The King and I'.
Key contributors include: Hal Prince, Stephen Sondheim, Patti Lupone, Paul Nicholas, Maury Yeston, Elaine Stritch, Maria Friedman, Victor Spinetti, Ruthie Henshall, Tim Rice, Elaine Paige, Richard Stilgoe, Michael Grandage and Liz Robertson.
'Drawn From Life' is written by Brian Sibley and produced for Radio 2 by Malcolm Princ
Production information
BBC Radio 2, October 28, 11pm, then continuing until December 16 Author:Brian SibleyContributors include:Sian Phillips, Stephen Sondheim, Sandy Wilson, Donna McKechnie, Maria Friedman, Ruthie Henshall, Patti LuPoneProducer:Malcolm Prince for Radio 2Running time:1hr
Looking at the debate about GCSE drama - newspapers as sources.
I picked up the Stage at London Charing Cross today - they never seem to have it at London St Pancreas - but I saw this article on the front page...
'NYT chief’s call to end ‘irrelevant’ drama GCSEs sparks fury' by Georgia Snow
http://www.thestage.co.uk/news/2014/10/nyt-chiefs-call-end-irrelevant-drama-gcses-sparks-fury/
it got my attention because some of the conversations I have been having with people - and about following debates about related topics
AND from the Guardian by Lyn Gardner
http://www.theguardian.com/stage/theatreblog/2014/nov/03/drama-gcse-irrelevant-national-youth-theatre
so something like
Gardner, Lyn (2014) 'Curtains for the drama GCSE? That would be a tragedy', weblog, The Guardian. Available from http://www.theguardian.com/stage/theatreblog/2014/nov/03/drama-gcse-irrelevant-national-youth-theatre. [Accessed 3/10/14]
some extracts - I can't seem to indent but quotes below:
'NYT chief’s call to end ‘irrelevant’ drama GCSEs sparks fury' by Georgia Snow
http://www.thestage.co.uk/news/2014/10/nyt-chiefs-call-end-irrelevant-drama-gcses-sparks-fury/
it got my attention because some of the conversations I have been having with people - and about following debates about related topics
AND from the Guardian by Lyn Gardner
http://www.theguardian.com/stage/theatreblog/2014/nov/03/drama-gcse-irrelevant-national-youth-theatre
so something like
Gardner, Lyn (2014) 'Curtains for the drama GCSE? That would be a tragedy', weblog, The Guardian. Available from http://www.theguardian.com/stage/theatreblog/2014/nov/03/drama-gcse-irrelevant-national-youth-theatre. [Accessed 3/10/14]
some extracts - I can't seem to indent but quotes below:
Even those who have no ambitions to enter the profession often discover through the drama GCSE that there is a real difference between performing and seeing a performance and simply studying a play as a text in the classroom. The skills learned are transferable. Drama GCSE is not seen as irrelevant by thousands of employers who have discovered that a school leaver who has taken the qualification is likely to know how to communicate and also work as part of a team and can think creatively.
To give him his due, I'm not sure that Roseby, who seems to have a gift for putting his foot in his mouth, and who was previously reported as saying that drama school is a waste of money, really meant quite what he was reported as saying. I suspect that what he is really trying to argue is that drama can be used throughout the entire curriculum in useful and creative ways. Neither should it just be seen as a qualification. I'm with him on that. There is a huge value in doing something for the sake of it, not just because it gives you a piece of paper at the end of it....
[ link to http://www.theguardian.com/stage/2013/oct/24/drama-schools-waste-of-money-national-youth-theatre in paragraph above]
I've even been told by teachers who work at academies with arts status of the constant battle to keep theatre and dance as central activities that are valued for what they bring to the whole school community and not just to those who pursue them. Without a protected place in the curriculum, drama in state schools increasingly faces being pushed into an extra-curricular activity, something that children must do in their own time – and often pay for – leading to the kind of cultural apartheid that means only those from well-heeled backgrounds get a chance to experience the arts and take part in them.
[ link to http://www.theguardian.com/teacher-network/teacher-blog/2012/oct/30/defence-school-drama-arts-curriculum-ebacc AND http://www.theguardian.com/culture/culture-cuts-blog/2011/feb/15/arts-funding-arts-policy]
Anything in the Independent newspaper - anything from professional organisations? Where would be a good place to look?
[ link to http://www.theguardian.com/teacher-network/teacher-blog/2012/oct/30/defence-school-drama-arts-curriculum-ebacc AND http://www.theguardian.com/culture/culture-cuts-blog/2011/feb/15/arts-funding-arts-policy]
Anything in the Independent newspaper - anything from professional organisations? Where would be a good place to look?
Campus Session 2 Module 1 29.10.14
Apologies for lateness... here is what we talked about from my view...
Mainly we are seg-waying into Part 2 Reflective Practice -
Attending - Lisa, Sarah and Lynn Terry - all might have blogs up already!!
1. Reviewed Part 1 - most had done some but not all of the tasks - tasks are not marked they are there to help guide the learning journey - you don't have to film yourself - you can use pictures and voice overs or text - up to you... I call them nouns - think about using people, places, things and events - always get permission if you put peoples photos up online
Also online remember your ethical practice - these are public so your writing up about what you do should keep in mind how others might view the blog posts...
2. Reviewed Part 2 - the reflective journal will be a place where you can put down things you might not be able to on the blog - write incidents - sometimes 'critical incidents' that are out of the ordinary - but it is amazing what we miss from looking at what we do on a daily/weekly basis. Sarah said that looking at her working form another point of view was helpful.
Look at the ideas/theories in Reader 2 - this goes with Part 2 - so ideas about learning using reflective practice - when you talk about the ideas - 'cite' who the ideas came from - so if an idea came form Schon - cite this using the Reader or even his own writing. The Bibliography of the Module Handbook shows things in Harvard style - you don't have to read all the sources - but follow up on any ideas that interest you through web research - you may feel compelled to look at some sources in there original state. The important thing is to find ways to look at your experience.
Again - searching - use key words to help Google - use Google Scholar and the Summon feature in the Library section on MyUnihub to investigate ideas that might inform your practice. Remember audio-visual sources.
2d is an important one - here you are beginning to think about what interests you - this is one you mint come back to for planning an inquiry in Module 2 - but don't worry about fixing any 1 area of interest now - this is just beginning to throw out your net to catch ideas...
3. For the later part of the session we had a bit of fun - we tried out using our senses for reflection.
SO remember using all your senses - and think about how these inform your thinking - intelligence is not just cognitive writing - we express ourselves in many ways...
1. smelling unidentified smells - and seeing what they reminded us of EXAMPLES were popcorn, marmite, a beef stock cube, and lavender - all brought out different recollections and sensations
2. movement - we all improvised our morning routines - this was interesting as everyone acted in separate realms and yet there were links in what we were doing - and how we ends the routine - drinking tea or standing and eating - Lisa said heres is never the same - characterisation and movement - - well you all have had this in classes - but try it out using your own experiences...
3. touch - shaking hands - USA style - british Style- European style - all different - so cultural ideas go along with experience and sensation
4. scary story (homage and thanks to Adesola for this idea0 good for Halloween - you really do get caught up in the oral tradition - say a line and the next person follows this with more of the story - in this case with a horror theme...
5. visual - think about putting pictures in your journal - to describe experience or just for inspiration - I showed people an activity with pictures I have been doing with Inktober on my Instagram
http://instagram.com/lifelonglearnerldn
we all said we would try to do this more - here is an example of just colours I took in class - I also talk a bit about composition and colour - but I will put that in another blog!!!
Mainly we are seg-waying into Part 2 Reflective Practice -
Attending - Lisa, Sarah and Lynn Terry - all might have blogs up already!!
1. Reviewed Part 1 - most had done some but not all of the tasks - tasks are not marked they are there to help guide the learning journey - you don't have to film yourself - you can use pictures and voice overs or text - up to you... I call them nouns - think about using people, places, things and events - always get permission if you put peoples photos up online
Also online remember your ethical practice - these are public so your writing up about what you do should keep in mind how others might view the blog posts...
2. Reviewed Part 2 - the reflective journal will be a place where you can put down things you might not be able to on the blog - write incidents - sometimes 'critical incidents' that are out of the ordinary - but it is amazing what we miss from looking at what we do on a daily/weekly basis. Sarah said that looking at her working form another point of view was helpful.
Look at the ideas/theories in Reader 2 - this goes with Part 2 - so ideas about learning using reflective practice - when you talk about the ideas - 'cite' who the ideas came from - so if an idea came form Schon - cite this using the Reader or even his own writing. The Bibliography of the Module Handbook shows things in Harvard style - you don't have to read all the sources - but follow up on any ideas that interest you through web research - you may feel compelled to look at some sources in there original state. The important thing is to find ways to look at your experience.
Again - searching - use key words to help Google - use Google Scholar and the Summon feature in the Library section on MyUnihub to investigate ideas that might inform your practice. Remember audio-visual sources.
2d is an important one - here you are beginning to think about what interests you - this is one you mint come back to for planning an inquiry in Module 2 - but don't worry about fixing any 1 area of interest now - this is just beginning to throw out your net to catch ideas...
3. For the later part of the session we had a bit of fun - we tried out using our senses for reflection.
SO remember using all your senses - and think about how these inform your thinking - intelligence is not just cognitive writing - we express ourselves in many ways...
1. smelling unidentified smells - and seeing what they reminded us of EXAMPLES were popcorn, marmite, a beef stock cube, and lavender - all brought out different recollections and sensations
2. movement - we all improvised our morning routines - this was interesting as everyone acted in separate realms and yet there were links in what we were doing - and how we ends the routine - drinking tea or standing and eating - Lisa said heres is never the same - characterisation and movement - - well you all have had this in classes - but try it out using your own experiences...
3. touch - shaking hands - USA style - british Style- European style - all different - so cultural ideas go along with experience and sensation
4. scary story (homage and thanks to Adesola for this idea0 good for Halloween - you really do get caught up in the oral tradition - say a line and the next person follows this with more of the story - in this case with a horror theme...
5. visual - think about putting pictures in your journal - to describe experience or just for inspiration - I showed people an activity with pictures I have been doing with Inktober on my Instagram
http://instagram.com/lifelonglearnerldn
we all said we would try to do this more - here is an example of just colours I took in class - I also talk a bit about composition and colour - but I will put that in another blog!!!
Campus Session 2 Module 3 on 28.10.14
Sorry for lateness - please see slides of the session.
Final cs2 m3 28.10.4 from Paula Nottingham
Go to BAPPMDX YouTube for a very short video at the end of the session - sort about the wobbly iPhone camera work everyone!!!
http://youtu.be/1QtnypdkhMo
Go to BAPPMDX YouTube for a very short video at the end of the session - sort about the wobbly iPhone camera work everyone!!!
http://youtu.be/1QtnypdkhMo
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